{"id":994603,"date":"2026-09-20T09:02:05","date_gmt":"2026-09-20T06:02:05","guid":{"rendered":"https:\/\/www.wayanatapas.com\/?p=994603"},"modified":"2026-09-20T10:05:01","modified_gmt":"2026-09-20T07:05:01","slug":"iyi-sarap-diye-bir-sey-var-mi-sarap-kalitesi-wayana","status":"publish","type":"post","link":"https:\/\/www.wayanatapas.com\/en\/iyi-sarap-diye-bir-sey-var-mi-sarap-kalitesi-wayana\/","title":{"rendered":"\u0130yi \u015earap Diye Bir \u015eey Var m\u0131?"},"content":{"rendered":"
\n

John Dilworth\u2019\u00fcn bir yaz\u0131s\u0131ndan yola \u00e7\u0131karak \u00e7ok tart\u0131\u015fmal\u0131 bir alanda y\u00fcr\u00fcmeye ba\u015flad\u0131k, biliyorsunuz. Asl\u0131nda sorgulad\u0131\u011f\u0131m\u0131z \u015fey \u015farap kalitesi. \u015earab\u0131n nesnel de\u011ferlendirmeye elveri\u015fli olup olmad\u0131\u011f\u0131n\u0131, bireysel farkl\u0131l\u0131klar\u0131m\u0131z\u0131n bu aray\u0131\u015f\u0131 anlams\u0131z m\u0131 k\u0131ld\u0131\u011f\u0131n\u0131 sorgulamay\u0131 s\u00fcrd\u00fcr\u00fcyoruz. Bir \u00f6nceki yaz\u0131m\u0131z\u0131 da bu konudaki rahats\u0131z edici bir soruyla bitirmi\u015ftik:<\/p>\n

Ayn\u0131 \u015farab\u0131 farkl\u0131 deneyimliyorsak, o \u015farap hakk\u0131nda ortak ve nesnel bir yarg\u0131ya varmak h\u00e2l\u00e2 m\u00fcmk\u00fcn m\u00fc?<\/strong><\/p>\n

\u015eimdi WAYANA\u2019ya geri d\u00f6nelim ve \u015fefle birlikte\u00a0 masam\u0131zda oturmaya devam edelim. Belki Sina’n\u0131n sabr\u0131 t\u00fckenmeye ba\u015flad\u0131, ama biz bu kez \u00f6n\u00fcm\u00fcze iki farkl\u0131 \u015faraptan birer kadeh koymas\u0131n\u0131 isteyelim.<\/p>\n

Birincisini tatt\u0131\u011f\u0131m\u0131zda, \u015fef de ben de birbirimizden farkl\u0131 aromalar fark edelim. \u015earab\u0131n asiditesi bana canl\u0131 ve enerjik gelirken, \u015eef biraz fazla keskin bulsun. Ben \u015farab\u0131 \u00e7ok be\u011feneyim, o daha mesafeli dursun. Buraya kadar \u015fa\u015f\u0131rt\u0131c\u0131 bir \u015fey yok. Bir \u00f6nceki yaz\u0131m\u0131zda bunun nedenlerini uzun uzun tart\u0131\u015ft\u0131k.<\/p>\n

Ama ikinci kadehte belirgin bir kusur oldu\u011funu varsayal\u0131m. \u0130kimiz de ayn\u0131 kusuru fark edelim ve \u015farab\u0131n bundan olumsuz etkilendi\u011fi konusunda anla\u015fal\u0131m. Vay can\u0131na! \u0130kimiz ayn\u0131 konuda fikir birli\u011fine vard\u0131k.<\/p>\n

Bir dakika. Hani ayn\u0131 \u015farab\u0131 ayn\u0131 bi\u00e7imde deneyimlemiyorduk? Birinci kadehte anla\u015fam\u0131yor ama ikinci kadehte anla\u015fabiliyorsak, aradaki fark nereden geliyor?<\/p>\n

Burada birbirinden ay\u0131rmam\u0131z gereken \u00fc\u00e7 farkl\u0131 \u015fey var:<\/p>\n

ALGILAMA \u2260 BE\u011eEN\u0130 \u2260 KAL\u0130TE YARGISI<\/strong><\/p>\n

\"\u015farap<\/h2>\n

Bir \u015farab\u0131 be\u011fenmekle iyi bulmak ayn\u0131 \u015fey mi?<\/h2>\n

G\u00fcndelik hayatta kolayca kuruverdi\u011fimiz bir be\u011feni c\u00fcmlesi var: \u201cBu \u015farap \u00e7ok g\u00fczel.\u201d<\/p>\n

Bu c\u00fcmleyi kurdu\u011fumuzda ne s\u00f6yl\u00fcyoruz?<\/p>\n

    \n
  • \u201cBu \u015farab\u0131 \u00e7ok be\u011fendim.\u201d<\/li>\n
  • \u201cBu iyi yap\u0131lm\u0131\u015f bir \u015farap\u201d<\/li>\n<\/ul>\n

    Birbirine \u00e7ok benzeyen bu iki s\u00f6yleyi\u015f aras\u0131nda \u00f6nemli bir fark var. Bir \u015farab\u0131n y\u00fcksek asiditesini ikimiz de fark edebiliriz. Ben bu \u00f6zelli\u011fi sevebilirim, \u015eef sevmeyebilir. Burada alg\u0131lad\u0131\u011f\u0131m\u0131z \u015fey birbirine yak\u0131n olsa bile ki\u015fisel be\u011fenimiz ayr\u0131\u015fm\u0131\u015ft\u0131r.<\/p>\n

    Fakat ikimiz de \u015farab\u0131n asiditesinin yap\u0131n\u0131n geri kalan\u0131yla nas\u0131l ili\u015fki kurdu\u011fu, tanenlerin olgunlu\u011fu, aromalar\u0131n temizli\u011fi veya \u015farab\u0131n belirgin bir kusur ta\u015f\u0131y\u0131p ta\u015f\u0131mad\u0131\u011f\u0131 hakk\u0131nda konu\u015fabiliriz. O zaman \u201cBunu seviyorum\u201d <\/strong>ile \u201cBunun iyi oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum\u201d <\/strong>farkl\u0131 yarg\u0131lar olabilir.<\/p>\n

    Bundan \u00e7\u0131kan \u00f6nemli bir sonu\u00e7 var: Hem \u015farap deneyiminin ki\u015fisel oldu\u011funu kabul ediyoruz hem de \u015farab\u0131n nesnel de\u011ferlendirme yapabilece\u011fimiz alanlar\u0131n\u0131n var oldu\u011funu kabul ediyoruz.<\/p>\n

    Deneyim ki\u015fiselse kalite de ki\u015fisel olmak zorunda m\u0131?<\/h2>\n

    John Dilworth bizi tam da bu noktada zor durumda b\u0131rak\u0131yor.<\/p>\n

    Onun yakla\u015f\u0131m\u0131n\u0131 izlersek, \u015farap tamamlanm\u0131\u015f bir sanat eseri gibi \u00f6n\u00fcm\u00fczde durmuyor. \u015earap bize bir \u201cduyusal tema\u201d sunuyor; biz de biyolojimiz, belle\u011fimiz, bilgimiz, \u00e7a\u011fr\u0131\u015f\u0131mlar\u0131m\u0131z ve hayal g\u00fcc\u00fcm\u00fczle bu tema \u00fczerinde bir t\u00fcr do\u011fa\u00e7lama ger\u00e7ekle\u015ftiriyoruz.<\/p>\n

    Bir \u00f6nceki yaz\u0131da bunu \u015f\u00f6yle ifade etmi\u015ftik:<\/p>\n

    \u015eARAP + B\u0130YOLOJ\u0130K ALGILAMA + K\u0130\u015e\u0130SEL ANLAMLANDIRMA \u2192 DENEY\u0130M<\/strong><\/p>\n

    Ama bu vard\u0131\u011f\u0131m\u0131z noktada bizi i\u00e7ine kolayca d\u00fc\u015febilece\u011fimiz bir tuzak bekliyor. E\u011fer ya\u015fad\u0131\u011f\u0131m\u0131z deneyim yaln\u0131zca \u015farab\u0131n \u00f6zellikleri taraf\u0131ndan belirlenmiyor, i\u00e7enin belle\u011fi, \u00e7a\u011fr\u0131\u015f\u0131mlar\u0131 ve hayal g\u00fcc\u00fc de bu deneyimin olu\u015fumuna kat\u0131l\u0131yorsa, bundan \u015f\u00f6yle bir sonu\u00e7 \u00e7\u0131karmak m\u00fcmk\u00fcn g\u00f6r\u00fcn\u00fcyor: Her \u015farap herkes i\u00e7in ba\u015fka bir \u015feyse, iyi ve k\u00f6t\u00fc \u015farap diye ortak bir \u00f6l\u00e7\u00fc de olamaz.<\/strong><\/p>\n

    Ger\u00e7ekten \u00f6yle mi? Dilworth’un yakla\u015f\u0131m\u0131ndan zorunlu olarak b\u00f6yle bir sonu\u00e7 \u00e7\u0131karacak olursak, kendimizi asitli\u011fiyle, alkol\u00fcyle, tanenleriyle, aromatik bile\u015fikleriyle, dokusuyla, \u00fcretim bi\u00e7imiyle ve varsa kusurlar\u0131yla ilgili s\u00f6yleyecek hi\u00e7bir \u015feyimizin kalmayaca\u011f\u0131 ve \u015farap deneyiminin mutlak bireyselli\u011fine raz\u0131 olaca\u011f\u0131m\u0131z bir durumda buluruz. Bu kabulleni\u015f \u015farap d\u00fcnyas\u0131nda kar\u015f\u0131la\u015ft\u0131rman\u0131n yap\u0131lamayaca\u011f\u0131 katmans\u0131z bir d\u00fczleme bizi mahk\u00fbm eder.<\/p>\n

    \u015earap bize ne kadar hareket alan\u0131 b\u0131rak\u0131yor?<\/h2>\n

    \u0130lk yaz\u0131m\u0131zdaki m\u00fczik \u00f6rne\u011fini hat\u0131rl\u0131yor musunuz? Beethoven’\u0131n ayn\u0131 eserini iki farkl\u0131 orkestra farkl\u0131 bi\u00e7imde yorumlayabilir. Ayn\u0131 yorumu dinleyen iki insan da birbirinden olduk\u00e7a farkl\u0131 deneyimler ya\u015fayabilir.<\/p>\n

    Ama buradan orkestran\u0131n nas\u0131l \u00e7ald\u0131\u011f\u0131n\u0131n hi\u00e7bir \u00f6nemi olmad\u0131\u011f\u0131 sonucuna var\u0131r m\u0131y\u0131z?<\/p>\n

    Bir m\u00fczisyen notay\u0131 yanl\u0131\u015f \u00e7alabilir. Orkestra birlikte hareket etmekte zorlanabilir. Akort sorunlar\u0131 ya\u015fanabilir. Yorumun temposu, dengesi veya b\u00fct\u00fcnl\u00fc\u011f\u00fc tart\u0131\u015f\u0131labilir. Dinleyicilerin deneyimleri ki\u015fisel olsa bile, deneyimin \u00fczerinde y\u00fckseldi\u011fi \u015fey tamamen bi\u00e7imsiz ve kurals\u0131z de\u011fildir.<\/p>\n

    \u015earapta da benzer bir durum olabilir mi?<\/p>\n

    Bir \u00f6nceki yaz\u0131da s\u00f6yledi\u011fimiz gibi, kadehin i\u00e7indeki s\u0131v\u0131n\u0131n fiziksel ve kimyasal bir ger\u00e7ekli\u011fi var. Dolay\u0131s\u0131yla i\u00e7enin yarat\u0131c\u0131 rol\u00fcn\u00fc kabul etmek, \u015farab\u0131n kendi \u00f6zelliklerini ortadan kald\u0131rm\u0131yor. pH\u2019\u0131n ka\u00e7 oldu\u011fu, toplam asidite, alkol derecesi gibi de\u011ferleri nesnel y\u00f6ntemlerle \u00f6l\u00e7ebiliyoruz. Ama pH’\u0131 nesnel olarak \u00f6l\u00e7ebilmek, o pH’\u0131n \u015farab\u0131 iyi veya k\u00f6t\u00fc yapt\u0131\u011f\u0131na nesnel olarak karar verebildi\u011fimiz anlam\u0131na gelmiyor.<\/p>\n

    Belki sorun \u201cnesnel mi, \u00f6znel mi?\u201d sorusunu fazla kolay sormam\u0131zda.<\/p>\n

    Nesnellik i\u00e7in herkesin ayn\u0131 \u015feyi d\u00fc\u015f\u00fcnmesi mi gerekir?<\/h2>\n

    Bir yarg\u0131n\u0131n nesnel olabilmesi i\u00e7in herkesin ayn\u0131 sonuca ula\u015fmas\u0131 gerekti\u011fini varsayarsak, \u015farap d\u00fcnyas\u0131n\u0131n i\u015fi ger\u00e7ekten zor. Ama g\u00fcndelik hayatta nesnellikten \u00e7o\u011fu zaman b\u00f6yle bir \u015fey anlam\u0131yoruz. \u0130nsanlar bir konuda farkl\u0131 sonu\u00e7lara ula\u015fabilirler ve yine de de\u011ferlendirmelerini ba\u015fkalar\u0131n\u0131n anlayabilece\u011fi gerek\u00e7elere dayand\u0131rabilirler.<\/p>\n

    \u015earapta da y\u0131llar i\u00e7inde b\u00f6yle bir ortak dil olu\u015fmu\u015f durumda. Asidite, tanen, denge, uzunluk, yo\u011funluk, karma\u015f\u0131kl\u0131k, kusur… Bunlar\u0131n hi\u00e7biri \u015farap hakk\u0131nda tart\u0131\u015fmay\u0131 sona erdiren sihirli s\u00f6zc\u00fckler de\u011fil. Fakat deneyimlerimizi kar\u015f\u0131la\u015ft\u0131rmam\u0131z\u0131 m\u00fcmk\u00fcn k\u0131lan kavramlar.<\/p>\n

    Ben bir \u015farab\u0131n dengesiz oldu\u011funu s\u00f6yledi\u011fimde, siz bana neden b\u00f6yle d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm\u00fc sorabilirsiniz. Ben de gerek\u00e7emi a\u00e7\u0131klayabilirim. Siz ayn\u0131 \u015farab\u0131 farkl\u0131 de\u011ferlendirebilirsiniz. Ama art\u0131k yaln\u0131zca iki ki\u015fisel be\u011feniyi yan yana koymuyoruz. \u00dczerinde konu\u015fabilece\u011fimiz ortak bir nesne ve onu tarif etmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z ortak bir dil var.<\/p>\n

    Belki \u015farapta arad\u0131\u011f\u0131m\u0131z nesnellik de tam burada ba\u015fl\u0131yor.<\/p>\n

    \"\u015farap<\/h2>\n

    K\u00f6r tad\u0131m bizi nesnelli\u011fe yakla\u015ft\u0131r\u0131r m\u0131?<\/h2>\n

    \u015earap d\u00fcnyas\u0131n\u0131n bu probleme verdi\u011fi en ilgin\u00e7 cevaplardan biri k\u00f6r tad\u0131m. Mant\u0131k olduk\u00e7a \u00e7ekici.\u015ei\u015feyi g\u00f6rmezsek, \u00fcreticinin ad\u0131, etiket, fiyat, b\u00f6lgenin itibar\u0131 veya ge\u00e7mi\u015fte o \u015farap hakk\u0131nda duyduklar\u0131m\u0131z de\u011ferlendirmemizi daha az etkiler. B\u00f6ylece \u015farab\u0131n kendisiyle daha do\u011frudan kar\u015f\u0131la\u015faca\u011f\u0131m\u0131z\u0131 d\u00fc\u015f\u00fcn\u00fcr\u00fcz.<\/p>\n

    Fakat ikinci yaz\u0131m\u0131zdan sonra art\u0131k k\u00fc\u00e7\u00fck bir problemimiz var:<\/p>\n

    \u015ei\u015feyi saklayabiliriz ama kendimizi saklayamay\u0131z. K\u00f6r tad\u0131ma yine kendi duyu sistemimizle, belle\u011fimizle, e\u011fitimimizle, ge\u00e7mi\u015f deneyimlerimizle ve beklentilerimizle giriyoruz. K\u00f6r tad\u0131m de\u011ferlendirmeyi nesnel hale getirmez; de\u011ferlendirmeyi etkileyebilecek baz\u0131 d\u0131\u015fsal bilgileri kontrol alt\u0131na al\u0131r.<\/p>\n

    Bu durumda k\u00f6r tad\u0131m\u0131n de\u011feri azalmaz. Yaln\u0131zca ondan ne beklememiz gerekti\u011fi de\u011fi\u015fir.<\/p>\n

    Ortak bir \u015farap dili m\u00fcmk\u00fcn m\u00fc?<\/h2>\n

    Ba\u015flang\u0131\u00e7taki iki kadehe geri d\u00f6nelim. \u015eefle ayn\u0131 \u015farab\u0131 ayn\u0131 bi\u00e7imde deneyimlemek zorunda de\u011filiz.Ayn\u0131 aromalar\u0131 bulmak zorunda da de\u011filiz. Hatta ayn\u0131 \u015farab\u0131 sevmek zorunda de\u011filiz. Ama bu, \u015farap hakk\u0131nda konu\u015famayaca\u011f\u0131m\u0131z anlam\u0131na gelmiyor. \u00c7\u00fcnk\u00fc ki\u015fisel deneyimlerimizi birbirimize aktar\u0131rken ortak kavramlardan, kar\u015f\u0131la\u015ft\u0131rmalardan ve gerek\u00e7elerden yararlan\u0131yoruz.<\/p>\n

    Belki de \u015farapta b\u00fct\u00fcn\u00fcyle ki\u015fiden ba\u011f\u0131ms\u0131z bir nesnellik aramak yerine ba\u015fka bir \u015feyi d\u00fc\u015f\u00fcnmemiz gerekiyor:<\/p>\n

    Birbirinden farkl\u0131 deneyimler ya\u015fayan insanlar\u0131n \u00fczerinde konu\u015fabilece\u011fi ortak bir de\u011ferlendirme alan\u0131. <\/strong>Belki burada nesnellikten \u00e7ok, felsefenin ba\u015fka bir kavram\u0131 bize yard\u0131mc\u0131 olabilir: \u00f6zneleraras\u0131l\u0131k<\/strong>. Birbirinden farkl\u0131 bireysel deneyimlerden hareket ederek ba\u015fkalar\u0131yla payla\u015f\u0131labilir, tart\u0131\u015f\u0131labilir ve gerek\u00e7elendirilebilir yarg\u0131lar olu\u015fturabilmek.<\/p>\n

    \u015earapla onu deneyimleyen insanlar\u0131n kar\u015f\u0131la\u015fmas\u0131nda ve insanlar\u0131n bu deneyimler hakk\u0131nda birbirleriyle konu\u015fabilmelerinde olu\u015fan bir alan. Bu yakla\u015f\u0131m \u201ciyi \u015farap\u201d sorusunu ortadan kald\u0131rm\u0131yor. Tam tersine, daha ilgin\u00e7 hale getiriyor. \u00c7\u00fcnk\u00fc art\u0131k sorumuz yaln\u0131zca \u201c\u0130yi \u015farap var m\u0131?\u201d de\u011fil.<\/p>\n

    \u015earap d\u00fcnyas\u0131n\u0131n bug\u00fcn kulland\u0131\u011f\u0131 kalite dili yaln\u0131zca birbirimizi dinleye dinleye kendili\u011finden olu\u015fmad\u0131. Bir b\u00f6l\u00fcm\u00fc zaman i\u00e7inde ortak deneyimlerden do\u011fdu; bir b\u00f6l\u00fcm\u00fc ise ele\u015ftirmenler, e\u011fitim kurumlar\u0131, tad\u0131m sistemleri, yar\u0131\u015fmalar ve \u015farap profesyonelleri taraf\u0131ndan geli\u015ftirildi, \u00f6\u011fretildi ve standartla\u015ft\u0131r\u0131ld\u0131.<\/p>\n

    Bu durumda daha zor bir soruyla kar\u015f\u0131 kar\u015f\u0131yay\u0131z.<\/p>\n

    \u015earap konusunda deneyim kazand\u0131k\u00e7a ger\u00e7ekten \u015farab\u0131 daha iyi g\u00f6rmeyi ve tatmay\u0131 m\u0131 \u00f6\u011freniyoruz? Yoksa ayn\u0131 zamanda hangi \u00f6zelliklere dikkat etmemiz, onlar\u0131 nas\u0131l adland\u0131rmam\u0131z ve hangilerini \u201ckalite\u201d g\u00f6stergesi saymam\u0131z gerekti\u011fini s\u00f6yleyen ortak bir de\u011ferlendirme dilini de mi \u00f6\u011freniyoruz?<\/p>\n

    Belki ikisini birden.<\/p>\n

    Ama \u00f6yleyse \u201ciyi \u015farap\u201d dedi\u011fimiz \u015feyin ne kadar\u0131n\u0131n \u015farab\u0131n kendisinden, ne kadar\u0131n\u0131n onu de\u011ferlendirmek i\u00e7in kurdu\u011fumuz bu ortak dilden geldi\u011fini sormam\u0131z gerekiyor.<\/p>\n

    Ve o dili kimlerin, nas\u0131l kurdu\u011funa bakmadan bu soruya cevap veremeyiz.<\/strong><\/p>\n

    Bir sonraki yaz\u0131m\u0131zda ba\u015flayaca\u011f\u0131m\u0131z yer buras\u0131.<\/p>\n<\/div>\n

    <\/p>","protected":false},"excerpt":{"rendered":"

    Ayn\u0131 \u015farab\u0131 farkl\u0131 deneyimleyen insanlar onun kalitesi hakk\u0131nda ortak bir yarg\u0131ya varabilir mi? John Dilworth\u2019ten yola \u00e7\u0131kan dizimizin \u00fc\u00e7\u00fcnc\u00fc yaz\u0131s\u0131nda alg\u0131lama, be\u011feni ve kalite yarg\u0131s\u0131n\u0131 birbirinden ay\u0131r\u0131yor; k\u00f6r tad\u0131mdan \u00f6zneleraras\u0131l\u0131\u011fa uzanan bir sorunun pe\u015fine d\u00fc\u015f\u00fcyoruz: \u0130yi \u015farap dedi\u011fimiz \u015fey ne kadar \u015farab\u0131n kendisinde, ne kadar onu de\u011ferlendirmek i\u00e7in kurdu\u011fumuz ortak dilde?<\/p>","protected":false},"author":2,"featured_media":994604,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[273],"tags":[],"class_list":["post-994603","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sarap-tadimindaki-incelikler"],"yoast_head":"\n\u0130yi \u015earap Diye Bir \u015eey Var m\u0131? - Wayana Wine Bar<\/title>\n<meta name=\"description\" content=\"\u0130yi \u015farap dedi\u011fimizde neyi kastediyoruz? 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