{"id":991045,"date":"2024-06-06T00:34:42","date_gmt":"2024-06-05T21:34:42","guid":{"rendered":"https:\/\/www.wayanatapas.com\/?p=991045"},"modified":"2026-09-30T15:44:43","modified_gmt":"2026-09-30T12:44:43","slug":"muzik-sarap-iliskisi-2","status":"publish","type":"post","link":"https:\/\/www.wayanatapas.com\/ja\/muzik-sarap-iliskisi-2\/","title":{"rendered":"WAYANA 301: M\u00fczik ve \u015earap \u0130li\u015fkisi &#8211; 2"},"content":{"rendered":"<div class=\"vgblk-rw-wrapper limit-wrapper\">\r\n<p class=\"wp-block-paragraph\">Kadehimizdeki \u015farab\u0131n ses dalgalar\u0131yla kurdu\u011fu o muazzam \u00e7apraz-modal ba\u011f\u0131 \u00e7\u00f6zd\u00fc\u011f\u00fcm\u00fcz bu ikinci tad\u0131m ser\u00fcveninde, ritmin ve temponun enolojik g\u00fcc\u00fcn\u00fc inceliyoruz. WAYANA 301 tad\u0131m etkinli\u011finde yer verdi\u011fimiz deneysel m\u00fczik-\u015farap ili\u015fkisinin de\u011ferlendirmesine devam ediyoruz. A\u015fa\u011f\u0131daki tabloda tad\u0131mda yer verdi\u011fimiz \u015faraplar ve e\u015flik etmesi i\u00e7in se\u00e7ti\u011fimiz m\u00fczik eserlerini g\u00f6rebilirsiniz. Yaz\u0131n\u0131n izleyen k\u0131sm\u0131nda kat\u0131l\u0131mc\u0131lar\u0131n yapt\u0131klar\u0131 de\u011ferlendirmelerden \u00e7\u0131kan sonu\u00e7lar\u0131 ba\u015fl\u0131klar halinde payla\u015faca\u011f\u0131z.<\/p>\r\n<h2>Akustik Sinerji: Ritmik Temponun Damaktaki H\u0131z \u00c7arpan\u0131<\/h2>\r\n<p>M\u00fczik ve \u015farap ili\u015fkisinin ikinci hayati baca\u011f\u0131, \u00e7al\u0131nan eserin sadece t\u0131n\u0131sal frekanslar\u0131 de\u011fil, ayn\u0131 zamanda ritmik h\u0131z\u0131, temposu (BPM &#8211; vuru\u015f say\u0131s\u0131) ve karma\u015f\u0131kl\u0131k d\u00fczeyinin damaktaki s\u0131v\u0131n\u0131n t\u00fcketim ritmini ve kal\u0131c\u0131l\u0131k alg\u0131s\u0131n\u0131 nas\u0131l manip\u00fcle etti\u011fidir. H\u0131zl\u0131 tempolu, ritmik ve agresif m\u00fczikler, sempatik sinir sistemimizi uyararak kalp at\u0131\u015f h\u0131z\u0131m\u0131z\u0131 t\u0131rmand\u0131r\u0131r; bu durum \u015farab\u0131 a\u011fz\u0131m\u0131zda daha k\u0131sa s\u00fcre tutmam\u0131za, dikey asiditeyi ve alkol s\u0131cakl\u0131\u011f\u0131n\u0131 daha keskin hissetmemize yol a\u00e7ar. A\u011f\u0131r tempolu, ak\u0131c\u0131 ve narin legato ge\u00e7i\u015flere sahip yayl\u0131 orkestrasyonlar\u0131 veya caz t\u0131n\u0131lar\u0131 ise; parasempatik sinir sistemini tetikleyerek bizi &#8220;yava\u015f zaman&#8221; boyutuna ta\u015f\u0131r. Bu akustik yava\u015fl\u0131kta, \u015farap a\u011f\u0131z bo\u015flu\u011fumuzda (damakta) \u00e7ok daha uzun s\u00fcre kal\u0131r; bu da \u0131s\u0131l ve kimyasal temas s\u00fcresini uzatarak \u015farab\u0131n o %1&#8217;lik derin aromatik u\u00e7ucu bile\u015fenlerini (esterleri) ve kompleks tanen polimerlerini t\u00fcm katmanlar\u0131yla hissetmemizi sa\u011flar.<\/p>\r\n<h2>Ortam Akusti\u011fi ve Gastronomik Deneyimin B\u00fct\u00fcnl\u00fc\u011f\u00fc<\/h2>\r\n<p>WAYANA 301 tad\u0131m\u0131nda ger\u00e7ekle\u015ftirdi\u011fimiz bu akustik deneyler, \u015farab\u0131n sadece mahzendeki enolojik ba\u015far\u0131s\u0131n\u0131n de\u011fil; onun sunuldu\u011fu, payla\u015f\u0131ld\u0131\u011f\u0131 ortam\u0131n akustik mimarisinin ve \u00e7alan melodilerin de gastronomik kalitede ne denli kurucu birer fakt\u00f6r oldu\u011funu kan\u0131tlam\u0131\u015ft\u0131r. Bir restoran\u0131n, bar\u0131n veya evimizdeki dost sofras\u0131n\u0131n arka plan g\u00fcr\u00fclt\u00fcs\u00fc, \u00e7\u0131nlama seviyeleri ve se\u00e7ilen \u00e7alma listesi; kadehteki s\u0131v\u0131n\u0131n a\u011f\u0131zda b\u0131rakt\u0131\u011f\u0131 o kadifemsi hissi, g\u00f6vde a\u011f\u0131rl\u0131\u011f\u0131n\u0131 ve biti\u015f (aftertaste) s\u00fcresini do\u011frudan de\u011fi\u015ftirir. G\u00fcr\u00fclt\u00fcl\u00fc ve steril olmayan akustik ortamlar beynimizin koku ve tat hassasiyetini bask\u0131larken; d\u00fcr\u00fcst, yumu\u015fak ve \u015farab\u0131n karakteriyle rezonansa giren melodiler, o kadehi ya\u015fayan an\u0131tsal birer sanat eserine d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. Ortam akusti\u011fi, \u015farap servisinin ve sunum rit\u00fcellerinin dikey birer enolojik par\u00e7as\u0131 olarak kabul edilmelidir.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Her \u015farap i\u00e7in iki farkl\u0131 tempoda m\u00fczik eseri se\u00e7ti\u011fimizi ve her par\u00e7an\u0131n yakla\u015f\u0131k s\u00fcresinin 1,5 dakika oldu\u011funu da hat\u0131rlatal\u0131m.<\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-table\">\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td><strong>M\u00fczik Eserleri<\/strong><\/td>\r\n<td><strong>\u015earaplardaki \u00dcz\u00fcmler<\/strong><\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Yurt Da\u011f\u0131 Baylan Cemile<\/td>\r\n<td>Sultaniye<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Aman Aman Nalband\u0131m<\/td>\r\n<td>Sultaniye<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Y\u00fcce Da\u011f Ba\u015f\u0131nda<\/td>\r\n<td>Emir<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Ta\u015fa \u00c7ald\u0131m Ayvam ile Nar\u0131m\u0131<\/td>\r\n<td>Emir<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lorelei<\/td>\r\n<td>Riesling<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Lon Des Rhein<\/td>\r\n<td>Riesling<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Forever Young<\/td>\r\n<td>Syrah-Kalecik Karas\u0131<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Son of A Preacher Man<\/td>\r\n<td>Syrah-Kalecik Karas\u0131<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>G\u00fcvercin U\u00e7uverdi<\/td>\r\n<td>Kalecik Karas\u0131<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Eski Evin Merte\u011fi<\/td>\r\n<td>Kalecik Karas\u0131<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Seyyah Olup \u015eu Alemi Gezerim<\/td>\r\n<td>\u00d6k\u00fczg\u00f6z\u00fc<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Yo\u011furt Koydum Dolaba<\/td>\r\n<td>\u00d6k\u00fczg\u00f6z\u00fc<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Les Temps des Cerise<\/td>\r\n<td>Petit Verdot<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Padame Padame<\/td>\r\n<td>Petit Verdot<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Beethoven 5. Senfoni<\/td>\r\n<td>Ament Bordo Kupaj\u0131<\/td>\r\n<\/tr>\r\n<tr>\r\n<td>Bohemian Rhapsody<\/td>\r\n<td>Ament Bordo Kupaj\u0131<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n<\/figure>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li>Etkinli\u011fe kat\u0131lanlar\u0131n m\u00fczik eserlerini de\u011ferlendirmesi g\u00f6n\u00fcll\u00fcl\u00fckle yap\u0131ld\u0131, on \u00fc\u00e7 konu\u011fumuz de\u011ferlendirme yap\u0131p bize iletti.<\/li>\r\n\r\n\r\n\r\n<li>Olumsuz etkilendi\u011fini s\u00f6yleyen iki konu\u011fumuz baz\u0131 eserler i\u00e7in eksi de\u011fer verdi, biz tabloda s\u0131f\u0131r olarak i\u015fledik.<\/li>\r\n\r\n\r\n\r\n<li>1-10 aras\u0131ndaki i\u015faretlemelerde orta noktay\u0131 5 kabul ederek daha d\u00fc\u015f\u00fckleri etkisi zay\u0131f \u00f6rnekler, daha y\u00fcksek olanlar\u0131 etkisi g\u00fc\u00e7l\u00fc ve olumlu \u00f6rnekler olarak kabul ettik.<\/li>\r\n\r\n\r\n\r\n<li>M\u00fczi\u011fin e\u015flik etmesine tamamen kar\u015f\u0131 olan konu\u011fumuz olmad\u0131.<\/li>\r\n\r\n\r\n\r\n<li>Tad\u0131m ilerledik\u00e7e konuklar\u0131m\u0131z m\u00fczi\u011fin etkisini daha \u00e7ok hissettiler. Miktarlar\u0131 az da olsa alkol\u00fcn de\u011ferlendirmeler \u00fczerinde etkisi oldu.<\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">De\u011ferlendirmeleri yorumlad\u0131\u011f\u0131m\u0131zda kar\u015f\u0131m\u0131za neler \u00e7\u0131kt\u0131? Birlikte bakal\u0131m:<\/p>\r\n\r\n\r\n\r\n<ul class=\"wp-block-list\">\r\n<li>Herkes taraf\u0131ndan bilinen par\u00e7alar g\u00f6receli bir avantaj elde ediyor. \u0130lk kez kar\u015f\u0131la\u015f\u0131lan \u015fark\u0131y\u0131 tan\u0131mak i\u00e7in ge\u00e7en s\u00fcrede \u015farap etkisini de\u011ferlendirmek daha zor olmu\u015f.<\/li>\r\n\r\n\r\n\r\n<li>Yava\u015f tempoya sahip eserler, istisnas\u0131z b\u00fct\u00fcn \u015faraplar i\u00e7in daha y\u00fcksek puanlar alm\u0131\u015f. Yani k\u00fc\u00e7\u00fck grubumuzda yer alan konuklar \u015faraplar\u0131n\u0131n yan\u0131nda daha hafif par\u00e7alar\u0131 tercih ediyorlar.<\/li>\r\n\r\n\r\n\r\n<li>\u015earaplardan d\u00f6rt tanesinde \u00fcz\u00fcmlerin \u00fclkemizde yeti\u015fti\u011fi y\u00f6relerin iki\u015fer t\u00fcrk\u00fcs\u00fc yer alm\u0131\u015ft\u0131. Bu d\u00f6rt par\u00e7an\u0131n de\u011ferler toplam\u0131 376 birim olmu\u015f.<\/li>\r\n\r\n\r\n\r\n<li>Geriye kalan d\u00f6rt \u015farapta sekiz yabanc\u0131 esere yer vermi\u015ftik. Bu par\u00e7alar\u0131n de\u011ferler toplam\u0131 619 olmu\u015f.<\/li>\r\n\r\n\r\n\r\n<li>\u015earapla t\u00fcrk\u00fclerin sinerjisi konuklar\u0131m\u0131z aras\u0131nda kar\u015f\u0131l\u0131k bulmam\u0131\u015f ama yabanc\u0131 eserlerle \u015faraplar aras\u0131nda g\u00fc\u00e7l\u00fc bir ba\u011f olu\u015fmu\u015f.<\/li>\r\n\r\n\r\n\r\n<li>En y\u00fcksek de\u011fere 92 puanla Bohemian Rhapsody ula\u015fm\u0131\u015f, onu Padame Padame 91 puanla izliyor.<\/li>\r\n\r\n\r\n\r\n<li>En d\u00fc\u015f\u00fck de\u011fer Eski Evin Merte\u011fi t\u00fcrk\u00fcs\u00fcne verilen 33 puan, ikinci en d\u00fc\u015f\u00fck 38 puanla Aman Aman Nalband\u0131m olmu\u015f.<\/li>\r\n<\/ul>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Bu sonu\u00e7lardan gelecek tad\u0131mlar i\u00e7in nas\u0131l sonu\u00e7lar \u00e7\u0131kard\u0131k?<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Konuklar\u0131m\u0131z m\u00fczi\u011fin etkinli\u011fin bir par\u00e7as\u0131 olmas\u0131n\u0131 hi\u00e7 yad\u0131rgamad\u0131lar. \u015earaba ili\u015fkin temel de\u011ferlendirmeleri yap\u0131p ajanda notlar\u0131n\u0131 kaydettikten sonra \u015farap ve m\u00fczikle ge\u00e7irdikleri s\u00fcrenin tad\u0131ma olumlu bir katk\u0131da bulundu\u011funu, \u015farab\u0131 \u00f6z\u00fcmsemek i\u00e7in g\u00fczel bir f\u0131rsat yaratt\u0131\u011f\u0131n\u0131 g\u00f6zledik.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Se\u00e7ti\u011fimiz par\u00e7alar k\u00fclt\u00fcrel tercih a\u00e7\u0131s\u0131ndan bu konuda yap\u0131lacak daha ciddi ara\u015ft\u0131rmalar i\u00e7in kimi ipu\u00e7lar\u0131 verdi. Konuklar\u0131m\u0131z\u0131n t\u00fcrk\u00fclerle \u015faraplar\u0131 daha az yak\u0131\u015ft\u0131rmas\u0131, \u00fczerinde dikkatle durulmas\u0131 gereken bir ba\u015fl\u0131k. Ama bu tekil denemeden \u00e7\u0131kar\u0131mlarda bulunmak elbette yan\u0131lt\u0131c\u0131 olur.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">T\u00fcrk\u00fclerin s\u00f6ze yer verilmeyen enstr\u00fcmental versiyonlar\u0131n\u0131n \u015fans\u0131n\u0131n daha y\u00fcksek olabilece\u011fini d\u00fc\u015f\u00fcnd\u00fcren izlenimler edindik. \u015earaplardan ikisine e\u015flik eden d\u00f6rt eserden ikisinde s\u00f6z varken, di\u011fer ikisi enstr\u00fcmentaldi. Konuklar\u0131m\u0131z\u0131n e\u011filimi enstr\u00fcmentalden yana olmu\u015f.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">\u015earaplara e\u015flik edecek par\u00e7alar\u0131 se\u00e7erken bilinen m\u00fczik par\u00e7alar\u0131n\u0131 tercih etmek \u015farap severlerin ili\u015fki kurmas\u0131n\u0131 kolayla\u015ft\u0131r\u0131yor. Hem m\u00fczi\u011fi tan\u0131mak hem \u015farapla ba\u011fda\u015ft\u0131rmak daha zorlay\u0131c\u0131 oluyor.<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">\u00d6zetle bundan sonraki WAYANA tad\u0131mlar\u0131nda m\u00fczi\u011fe yer vermek konusunu \u00f6nemsiyoruz. Elbette her tad\u0131m b\u00f6yle planlanacak gibi bir sonu\u00e7 \u00e7\u0131karm\u0131yoruz. WAYANA 301\u2019de yapt\u0131\u011f\u0131m\u0131z gibi bundan sonra da deneysel \u00e7al\u0131\u015fmalar yapmay\u0131 s\u00fcrd\u00fcrecek bir motivasyonumuz var. Bu yeni \u00e7al\u0131\u015fmalardan elde edece\u011fimiz sonu\u00e7lar\u0131 payla\u015fmaya devam edece\u011fiz.<\/p>\r\n<blockquote data-path-to-node=\"59\">\r\n<p data-path-to-node=\"59,0\">M\u00fczi\u011fin ritmik temposunun parasempatik sistemimizi uyararak \u015farab\u0131n g\u00f6vdesini ve damaktaki \u00f6mr\u00fcn\u00fc nas\u0131l do\u011frudan y\u00f6netti\u011fini ke\u015ffettiyseniz; bu mucizenin Oxford Crossmodal laboratuvarlar\u0131ndaki o sars\u0131c\u0131 n\u00f6rolojik \u00e7\u0131k\u0131\u015f noktas\u0131n\u0131 ve \u00e7oklu duyusal entegrasyon teorilerini incelemek i\u00e7in serinin ilk b\u00f6l\u00fcm\u00fc olan <a href=\"https:\/\/www.wayanatapas.com\/ja\/wayana-301-tadiminda-muzik-ve-sarap-iliskisi-1\/\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #3366ff;\"><strong>WAYANA 301 Tad\u0131m\u0131nda M\u00fczik ve \u015earap \u0130li\u015fkisi &#8211; 1: N\u00f6ro-Gastronomi ve Alg\u0131<\/strong><\/span><\/a> makalemizi yeniden ziyaret edebilirsiniz.<\/p>\r\n<\/blockquote>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-large\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone wp-image-991047\" src=\"https:\/\/www.wayanatapas.com\/wp-content\/uploads\/2024\/06\/WAYANA-301-Brosur-Ic-1024x727.png\" alt=\"Tad\u0131m\" width=\"1024\" height=\"727\" srcset=\"https:\/\/www.wayanatapas.com\/wp-content\/uploads\/2024\/06\/WAYANA-301-Brosur-Ic-1024x727.png 1024w, https:\/\/www.wayanatapas.com\/wp-content\/uploads\/2024\/06\/WAYANA-301-Brosur-Ic-300x213.png 300w, https:\/\/www.wayanatapas.com\/wp-content\/uploads\/2024\/06\/WAYANA-301-Brosur-Ic-768x546.png 768w, https:\/\/www.wayanatapas.com\/wp-content\/uploads\/2024\/06\/WAYANA-301-Brosur-Ic-18x12.png 18w, https:\/\/www.wayanatapas.com\/wp-content\/uploads\/2024\/06\/WAYANA-301-Brosur-Ic-630x447.png 630w, https:\/\/www.wayanatapas.com\/wp-content\/uploads\/2024\/06\/WAYANA-301-Brosur-Ic-1260x895.png 1260w, https:\/\/www.wayanatapas.com\/wp-content\/uploads\/2024\/06\/WAYANA-301-Brosur-Ic-315x224.png 315w, https:\/\/www.wayanatapas.com\/wp-content\/uploads\/2024\/06\/WAYANA-301-Brosur-Ic.png 1505w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\r\n<\/div><!-- .vgblk-rw-wrapper -->","protected":false},"excerpt":{"rendered":"<p>Akustik enoloji ve n\u00f6ro-gastronomi ser\u00fcvenimizin ikinci heyecan verici perdesini a\u00e7\u0131yoruz: M\u00fczik ve \u015farap ili\u015fkisi &#8211; 2. \u00c7alan eserin temposunun (BPM) ve ritmik yap\u0131s\u0131n\u0131n parasempatik sistemi uyararak \u015farab\u0131n damakta kal\u0131\u015f s\u00fcresini (aftertaste) ve g\u00f6vde a\u011f\u0131rl\u0131\u011f\u0131n\u0131 nas\u0131l do\u011frudan manip\u00fcle etti\u011fini; g\u00fcr\u00fclt\u00fcl\u00fc ortam akusti\u011finin tat alma duyular\u0131m\u0131z\u0131 nas\u0131l \u00e7\u00f6lle\u015ftirdi\u011fini ve ideal bir servis tasar\u0131m\u0131 i\u00e7in akustik b\u00fct\u00fcnl\u00fc\u011f\u00fcn o hayati rol\u00fcn\u00fc WAYANA\u2019n\u0131n rasyonel perspektifiyle sunuyoruz.<\/p>","protected":false},"author":2,"featured_media":991046,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[686],"tags":[],"class_list":["post-991045","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sarap-ve-sanat"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>WAYANA 301: M\u00fczik ve \u015earap \u0130li\u015fkisi - 2 - Wayana Wine Bar<\/title>\n<meta name=\"description\" content=\"\u015earapta akustik ritimlerin ve temponun damak alg\u0131s\u0131na etkileri nelerdir? 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