{"id":995499,"date":"2026-11-06T22:03:15","date_gmt":"2026-11-06T19:03:15","guid":{"rendered":"https:\/\/www.wayanatapas.com\/?p=995499"},"modified":"2026-11-06T22:08:07","modified_gmt":"2026-11-06T19:08:07","slug":"foundation-dizisi-sarap","status":"publish","type":"post","link":"https:\/\/www.wayanatapas.com\/ja\/foundation-dizisi-sarap\/","title":{"rendered":"FOUNDATION: Galaksiler De\u011fi\u015fir, \u0130nsan De\u011fi\u015fmez"},"content":{"rendered":"
\n

Binlerce y\u0131l sonras\u0131n\u0131 anlatan bir bilimkurgu dizisinde nas\u0131l oluyor da \u015farap h\u00e2l\u00e2 hayat\u0131n bir par\u00e7as\u0131?<\/em><\/p>\n

\"Foundation<\/h2>\n

Galaksinin \u00f6b\u00fcr ucunda iki y\u00fcz y\u0131ll\u0131k bir \u015fi\u015fe<\/h2>\n

Uzay\u0131n derinliklerinde, bulunmalar\u0131n\u0131n m\u00fcmk\u00fcn olmad\u0131\u011f\u0131na inand\u0131klar\u0131 bir yerdeki uzay gemisinin i\u00e7inde \u00a0iki yolcu var: K\u0131sa bir s\u00fcre \u00f6nce idam\u0131n e\u015fi\u011findeyken Hober Mallow taraf\u0131ndan kurtar\u0131lan Brother Constant ile Mallow. Maceral\u0131 ka\u00e7\u0131\u015flar\u0131n\u0131n ard\u0131ndan yak\u0131nla\u015fan ikili, tatl\u0131 serseri Mallow, uzun zamand\u0131r a\u00e7may\u0131 akl\u0131ndan ge\u00e7irdi\u011fi 200 y\u0131ll\u0131k \u015farapla zaferlerini kutlamaya haz\u0131rlan\u0131rken bir d\u00fc\u015fman gemisinin k\u0131skac\u0131na girer. Mallow haz\u0131rl\u0131ks\u0131z yakalanm\u0131\u015ft\u0131r: Kutusundan hen\u00fcz \u00e7\u0131kard\u0131\u011f\u0131 200 y\u0131ll\u0131k \u015farap \u015fimdi \u00a0elinde, adeta Adem\u2019in incir yapra\u011f\u0131n\u0131 tutmas\u0131 gibi \u00f6n\u00fcn\u00fc gizleme g\u00f6revini \u00fcstlenir.<\/p>\n

Bu sahnenin etkileyici taraf\u0131 yaln\u0131zca \u015farab\u0131n ya\u015f\u0131 de\u011fil. \u0130nsanl\u0131\u011f\u0131n gezegenler aras\u0131nda yolculuk yapabildi\u011fi, ola\u011fan\u00fcst\u00fc teknolojiler geli\u015ftirdi\u011fi bir gelecekte, \u00f6l\u00fcmle kar\u015f\u0131la\u015fan iki insan\u0131n h\u00e2l\u00e2 bir kadeh \u015farapta anlam bulabilmesi.<\/p>\n

Bizi d\u00fc\u015f\u00fcnd\u00fcren bu sahnenin sizi de\u00a0 abs\u00fcrtl\u00fc\u011f\u00fcyle d\u00fc\u015f\u00fcnd\u00fcrd\u00fc\u011f\u00fcn\u00fc tahmin ediyoruz. Isaac Asimov’un Foundation<\/em> (Vak\u0131f) kitaplar\u0131ndan uyarlanan televizyon dizisinde \u015farab\u0131n hi\u00e7 beklemedi\u011fimiz kadar rol ald\u0131\u011f\u0131n\u0131 g\u00f6rmek do\u011frusu \u015fa\u015f\u0131rt\u0131c\u0131. \u015earab\u0131n \u00fcstlendi\u011fi roller aras\u0131nda kimi zaman \u00f6l\u00fcm kar\u015f\u0131s\u0131nda son bir arzu, kimi zaman \u00e7aresizli\u011fin tesellisi, kimi zaman inanc\u0131n ve ku\u015fkunun e\u015flik\u00e7isi olmak var.<\/p>\n

Ama incir yapra\u011f\u0131 g\u00f6revini \u00fcstlenen 200 y\u0131ll\u0131k \u015farab\u0131n hik\u00e2yesinin devam\u0131 var. O zaman i\u00e7ilemeyen \u015farab\u0131 kendini yok etmeye programlanm\u0131\u015f bir uzay gemisinin son saniyelerinde geminin kaptan\u0131yla Hober Mallow i\u00e7erler. Ama biliyor musunuz? \u015earap iyi saklanmad\u0131\u011f\u0131 i\u00e7in asl\u0131nda bozulmu\u015ftur. Ho\u015f bir ironi, de\u011fil mi?<\/p>\n

\u0130nsanl\u0131k galaksinin uzak k\u00f6\u015felerine ula\u015fm\u0131\u015f. Gezegenler kurulmu\u015f, imparatorluklar y\u00fckselmi\u015f, bilim ve teknoloji hayal edilemeyecek boyutlara varm\u0131\u015f. Ama de\u011fi\u015fmeyen akt\u00f6r olarak sahnede \u015farab\u0131 g\u00f6r\u00fcyoruz.<\/p>\n

Acaba bunun nedeni ne?<\/p>\n

\"Foundation<\/h2>\n

Asimov’un Vak\u0131f serisinden televizyonun Foundation’\u0131na<\/h2>\n

1990’larda Isaac Asimov’un Vak\u0131f serisi kitaplar\u0131n\u0131 ilk okudu\u011fumuzda beni en \u00e7ok etkileyen d\u00fc\u015f\u00fcncelerden biri psikotarihti. Asimov, \u00e7ok b\u00fcy\u00fck insan topluluklar\u0131n\u0131n davran\u0131\u015flar\u0131n\u0131n matematiksel y\u00f6ntemlerle \u00f6ng\u00f6r\u00fclebilece\u011fi varsay\u0131m\u0131ndan hareket ediyordu. Bu d\u00fc\u015f\u00fcnceyle tarih, yaln\u0131zca b\u00fcy\u00fck liderlerin kararlar\u0131yla a\u00e7\u0131klanmak yerine, toplumlar\u0131n uzun d\u00f6nemli hareketleriyle \u015fekilleniyordu. B\u00f6ylece tarihi b\u00fcy\u00fck h\u00fck\u00fcmdarlar\u0131n, komutanlar\u0131n ve kahramanlar\u0131n kararlar\u0131yla a\u00e7\u0131klama al\u0131\u015fkanl\u0131\u011f\u0131n\u0131n yerini, b\u00fcy\u00fck insan topluluklar\u0131n\u0131n davran\u0131\u015flar\u0131n\u0131 merkeze alan bir yakla\u015f\u0131m al\u0131yordu. Bireyler gelip ge\u00e7iyor, uygarl\u0131klar de\u011fi\u015fiyor, fakat tarihsel s\u00fcre\u00e7ler belirli \u00f6r\u00fcnt\u00fcler izliyor. Okudu\u011fum zaman bunu ezber bozan bir yakla\u015f\u0131m olarak g\u00f6rm\u00fc\u015f ve benimsemi\u015ftim.<\/p>\n

Apple TV’nin Foundation uyarlamas\u0131 kitaplardaki anlat\u0131dan farkl\u0131. Dizinin bug\u00fcn\u00fcn izleyicilerinin beklentilerini kar\u015f\u0131lamas\u0131 i\u00e7in yap\u0131lan de\u011fi\u015fiklikler kitab\u0131n bire bir uygulanm\u0131\u015f halini bekleyenler i\u00e7in hayal k\u0131r\u0131kl\u0131\u011f\u0131 olabilir. Ama bu hali, en az\u0131ndan \u015farab\u0131n dizi uyarlamas\u0131nda elde etmi\u015f oldu\u011fu g\u00fc\u00e7l\u00fc konumdan do\u011frusu biz \u00e7ok memnunuz.<\/p>\n

Dizi versiyonunda Hari Seldon’un hik\u00e2yesi geni\u015fletiliyor. Salvor Hardin’in karakteri \u00f6nemli \u00f6l\u00e7\u00fcde de\u011fi\u015ftiriliyor. Asimov’un kitaplar\u0131nda bulunmayan genetik Cleon hanedan\u0131, televizyon dizisinin merkezine yerle\u015ftiriliyor. Bunlar k\u00fc\u00e7\u00fck senaryo de\u011fi\u015fiklikleri de\u011fil. Anlat\u0131n\u0131n a\u011f\u0131rl\u0131k merkezi de de\u011fi\u015fiyor.<\/p>\n

Asimov’un kitaplar\u0131nda uygarl\u0131klar\u0131n tarihsel hareketleri \u00f6n plandayken, televizyon dizisi bireylerin duygular\u0131na, korkular\u0131na, arzular\u0131na ve ili\u015fkilerine \u00e7ok daha fazla yer veriyor. Bu a\u00e7\u0131lardan kar\u015f\u0131la\u015ft\u0131rd\u0131\u011f\u0131m\u0131zda, dizi kitap versiyonundan olduk\u00e7a farkl\u0131. Ancak dizinin insan\u0131 merkeze alan bu yakla\u015f\u0131m\u0131nda \u015farap kendine anlaml\u0131 bir yer buluyor.<\/p>\n

Tanr\u0131lar \u015farab\u0131 neden yaratt\u0131?<\/h2>\n

Dizinin ikinci sezonundaki bir b\u00f6l\u00fcm\u00fcn ad\u0131 do\u011frudan \u015farapla ilgili: Why the Gods Made Wine.<\/em> Hari Seldon’un ge\u00e7mi\u015fine d\u00f6nd\u00fc\u011f\u00fcm\u00fcz bu b\u00f6l\u00fcmde Yanna, Hari Seldon\u2019un akademide \u00e7al\u0131\u015ft\u0131\u011f\u0131 d\u00f6nemdeki hem i\u015f arkada\u015f\u0131 hem de do\u011famayan \u00e7ocu\u011funun annesi, Gorik Tarka adl\u0131 bir yazara atfedilen \u015fu d\u00fc\u015f\u00fcnceyi aktar\u0131yor:<\/p>\n

Tanr\u0131lar \u015farab\u0131, intikam almaya g\u00fcc\u00fc yetmeyenleri teselli etmek i\u00e7in yaratt\u0131.<\/em><\/p>\n

Herhalde bu \u015farab\u0131n var olma sebebine ili\u015fkin yap\u0131labilecek en karamsar a\u00e7\u0131klamalardan biri. Oysa biz \u015farab\u0131n tarih boyunca yaln\u0131zca ac\u0131n\u0131n de\u011fil, sevincin, kutlaman\u0131n, dostlu\u011fun ve bereketin de e\u015flik\u00e7isi oldu\u011funu biliyoruz. Dionysos’un d\u00fcnyas\u0131nda co\u015fku kadar ta\u015fk\u0131nl\u0131k, \u00f6zg\u00fcrle\u015fme kadar kontrol\u00fcn yitirilmesi de rit\u00fcellerin bir par\u00e7as\u0131yd\u0131.<\/p>\n

\u015earab\u0131n insanl\u0131k tarihindeki bu ikili konumu insan\u0131 hep d\u00fc\u015f\u00fcnd\u00fcr\u00fcr. \u015earap ad\u0131n\u0131 verdi\u011fimiz bu i\u00e7ecek bir d\u00fc\u011f\u00fcn sofras\u0131nda mutlulu\u011fun, bir cenaze sonras\u0131nda tesellinin, bir zafer kutlamas\u0131nda co\u015fkunun, bir yenilginin ard\u0131ndan unutma arzusunun e\u015flik\u00e7isi olabiliyor.<\/p>\n

Foundation’daki s\u00f6z, bu geni\u015f k\u00fclt\u00fcrel miras\u0131n karanl\u0131k taraf\u0131n\u0131 \u00f6ne \u00e7\u0131kar\u0131yor. Ama sahnenin as\u0131l \u00f6nemi belki de burada yat\u0131yor. \u015earap, intikam\u0131n yerini tutabilecek bir teselli olarak an\u0131l\u0131rken hik\u00e2yenin kendisi g\u00fc\u00e7, kay\u0131p ve intikam arzusu etraf\u0131nda geli\u015fiyor.<\/p>\n

Binlerce y\u0131l sonras\u0131n\u0131n insan\u0131 da ac\u0131yla ba\u015fa \u00e7\u0131kman\u0131n yollar\u0131n\u0131 ar\u0131yor.<\/p>\n

\"Foundation<\/h2>\n

Siwenna’da k\u0131rk y\u0131ll\u0131k bekleyi\u015f<\/h2>\n

\u015earab\u0131n dizideki bir ba\u015fka g\u00f6r\u00fcn\u00fcm\u00fc bizi Siwenna gezegenine g\u00f6t\u00fcr\u00fcyor. Burada Ducem Barr adl\u0131 bir ba\u011fc\u0131yla kar\u015f\u0131la\u015f\u0131yoruz. Fakat Barr yaln\u0131zca ba\u011fc\u0131l\u0131k yapm\u0131yor. Ayn\u0131 zamanda \u0130mparatorlu\u011fun y\u0131llar \u00f6nce geride b\u0131rakt\u0131\u011f\u0131 bir istihbarat g\u00f6revlisi. K\u0131rk y\u0131l boyunca g\u00f6revini s\u00fcrd\u00fcr\u00fcyor. \u0130mparatorlu\u011fa raporlar g\u00f6nderiyor. Cevap alam\u0131yor. \u00c7evresindeki d\u00fcnya de\u011fi\u015firken o ge\u00e7mi\u015fte \u00fcstlendi\u011fi g\u00f6revine sadakatle ba\u011fl\u0131 kal\u0131yor.<\/p>\n

Barr’\u0131n hik\u00e2yesinde ba\u011fc\u0131l\u0131\u011f\u0131n yer almas\u0131 ilgin\u00e7 bir se\u00e7im. Ba\u011fc\u0131lar zaman\u0131 farkl\u0131 \u00f6l\u00e7erler. Asman\u0131n uyan\u0131\u015f\u0131n\u0131, \u00e7i\u00e7eklenmesini, meyvenin olgunla\u015fmas\u0131n\u0131, hasad\u0131 ve yeniden ba\u015flayan d\u00f6ng\u00fcy\u00fc izlerler. Her y\u0131l bir \u00f6ncekine benzer, ama hi\u00e7bir y\u0131l onun tam kopyas\u0131 olmaz.<\/p>\n

Barr ise k\u0131rk y\u0131l boyunca de\u011fi\u015fen ko\u015fullara ra\u011fmen ayn\u0131 sadakati korumaya \u00e7al\u0131\u015f\u0131yor. Asmalar her y\u0131l yeni bir hasada haz\u0131rlan\u0131rken, o ge\u00e7mi\u015fte kalm\u0131\u015f bir imparatorlu\u011fa hizmet etmeyi s\u00fcrd\u00fcr\u00fcyor. Senaristlerin ba\u011fc\u0131l\u0131\u011f\u0131 \u00f6zellikle bu kar\u015f\u0131tl\u0131\u011f\u0131 kurmak amac\u0131yla se\u00e7ip se\u00e7mediklerini do\u011frusu bilmiyoruz, ama sahne bize b\u00f6yle yorumlama f\u0131rsat\u0131 sunuyor: Do\u011fa s\u00fcrekli yenilenirken insan bazen de\u011fi\u015fmemekte \u0131srar edebiliyor.<\/p>\n

Poly Verisof’un kadehi<\/h2>\n

Dizide \u015farapla kar\u015f\u0131la\u015ft\u0131\u011f\u0131m\u0131z bir ba\u015fka karakter Poly Verisof. Vak\u0131f’\u0131n din\u00ee \u00f6\u011fretisini yaymakla g\u00f6revli Poly, inan\u00e7la ki\u015fisel deneyim aras\u0131ndaki gerilimi ta\u015f\u0131yan karakterlerden biri. Zaten Poly ile ilk kez, sarho\u015f olup s\u0131zd\u0131\u011f\u0131 bir gecenin ard\u0131ndan Constant’\u0131n onu ay\u0131ltmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131 sahnede tan\u0131\u015f\u0131yoruz. Onun hik\u00e2yesinde kadeh, yaln\u0131zca g\u00fcndelik bir i\u00e7ki al\u0131\u015fkanl\u0131\u011f\u0131 olarak de\u011fil, inan\u00e7la ku\u015fku aras\u0131ndaki mesafeyi d\u00fc\u015f\u00fcnmemize yard\u0131mc\u0131 olan bir ayr\u0131nt\u0131 olarak da okunabilir.<\/p>\n

\u015earapla din\u00ee hayat\u0131n ili\u015fkisi elbette yeni de\u011fil. Antik d\u00fcnyan\u0131n rit\u00fcellerinden Hristiyanl\u0131\u011f\u0131n ayinlerine kadar \u015farap, kimi zaman tanr\u0131lara sunulan bir arma\u011fan, kimi zaman kutsal bir simge, kimi zaman da toplumsal birlikteli\u011fin arac\u0131. Foundation’\u0131n uzak gelece\u011finde de din\u00ee kurumlar, rit\u00fceller ve inan\u00e7 m\u00fccadeleleri varl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcr\u00fcyor.<\/p>\n

Fakat Poly’nin hik\u00e2yesinde dikkat \u00e7ekici olan, inanc\u0131 temsil eden ki\u015finin kendi i\u00e7inde ta\u015f\u0131d\u0131\u011f\u0131 \u00e7eli\u015fkiler. Belki de bir kadeh \u015farap, b\u00f6yle anlarda insan\u0131n ba\u015fkalar\u0131na anlatt\u0131\u011f\u0131 do\u011frularla kendi i\u00e7inde ya\u015fad\u0131\u011f\u0131 belirsizlikler aras\u0131ndaki bo\u015flu\u011fu g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n

\"Foundation<\/h2>\n

Her hasatta ayn\u0131 imparator<\/h2>\n

Foundation’\u0131 izlerken \u015farapla do\u011frudan ilgisi olmayan ve \u00f6yk\u00fcn\u00fcn merkezine yerle\u015fen Cleon hanedan\u0131 g\u00f6zden ka\u00e7\u0131r\u0131lacak gibi de\u011fil. Galaktik \u0130mparatorluk, y\u00f6netimde s\u00fcreklili\u011fi sa\u011flamak i\u00e7in ayn\u0131 h\u00fck\u00fcmdar\u0131n genetik kopyalar\u0131n\u0131 \u00fcretmi\u015f. Brother Dawn, Brother Day ve Brother Dusk, ayn\u0131 genetik miras\u0131n farkl\u0131 ya\u015flardaki temsilcileri.<\/p>\n

Ama\u00e7 a\u00e7\u0131k: De\u011fi\u015fimin getirece\u011fi belirsizlikleri azaltmak ve y\u00f6netimin devaml\u0131l\u0131\u011f\u0131n\u0131 g\u00fcvence alt\u0131na almak.<\/p>\n

Bu kurgu bize k\u0131sa s\u00fcre \u00f6nce kaleme ald\u0131\u011f\u0131m\u0131z “Kadehte Ne G\u00f6rmek \u0130stersiniz? Ayna m\u0131, Pencere mi?<\/strong><\/a>“<\/em> ba\u015fl\u0131kl\u0131 yaz\u0131m\u0131z\u0131 hat\u0131rlatt\u0131. O yaz\u0131da \u015farap severlerin iki farkl\u0131 beklentisinden s\u00f6z etmi\u015ftik. Bir grup, sevdi\u011fi \u015farab\u0131n her \u015fi\u015fesinde tan\u0131d\u0131\u011f\u0131 lezzetle yeniden kar\u015f\u0131la\u015fmak istiyor. Di\u011fer grup ise her hasad\u0131n, her \u015fi\u015fenin kendine \u00f6zg\u00fc farkl\u0131l\u0131klar\u0131n\u0131 ke\u015ffetmeyi tercih ediyor.<\/p>\n

\u0130lk beklentiyi kar\u015f\u0131lamakta end\u00fcstriyel \u015farap\u00e7\u0131l\u0131\u011f\u0131n \u00f6nemli bir ba\u015far\u0131s\u0131 var. Geli\u015fmi\u015f \u00fcretim teknolojileri, harmanlama y\u00f6ntemleri ve kontroll\u00fc s\u00fcre\u00e7ler sayesinde farkl\u0131 hasatlar\u0131n getirdi\u011fi de\u011fi\u015fkenlikler azalt\u0131labiliyor. T\u00fcketici, sevdi\u011fi lezzeti yeniden bulabilece\u011fine g\u00fcveniyor. Bu, k\u00fc\u00e7\u00fcmsenecek bir ba\u015far\u0131 de\u011fil. \u00d6ng\u00f6r\u00fclebilirlik, t\u00fcketici i\u00e7in ger\u00e7ek bir de\u011fer.<\/p>\n

Cleon hanedan\u0131n\u0131n vaadi de buna benziyor. Her yeni h\u00fck\u00fcmdarda tan\u0131d\u0131k bir karakter, tan\u0131d\u0131k bir y\u00f6netim anlay\u0131\u015f\u0131, tan\u0131d\u0131k bir d\u00fczen. Sanki \u0130mparatorluk her hasatta ayn\u0131 \u015farab\u0131 \u00fcretmeye \u00e7al\u0131\u015f\u0131yor.<\/p>\n

Fakat dizinin en ilgin\u00e7 taraflar\u0131ndan biri, ayn\u0131 genetik yap\u0131dan gelen Cleonlar\u0131n bile birbirinin kusursuz kopyas\u0131 olamamas\u0131. Ya\u015fad\u0131klar\u0131 deneyimler, kar\u015f\u0131la\u015ft\u0131klar\u0131 insanlar ve ald\u0131klar\u0131 kararlar onlar\u0131 farkl\u0131la\u015ft\u0131r\u0131yor. \u015earap d\u00fcnyas\u0131nda da ayn\u0131 \u00fcz\u00fcm \u00e7e\u015fidi, ayn\u0131 ba\u011f ve ayn\u0131 \u00fcretici her y\u0131l b\u00fct\u00fcn\u00fcyle ayn\u0131 sonucu vermiyor.<\/p>\n

Bir y\u0131l\u0131n g\u00fcne\u015fi, ya\u011fmuru, r\u00fczg\u00e2r\u0131 ve hasat ko\u015fullar\u0131 ba\u015fka bir y\u0131l\u0131nkinden farkl\u0131. \u00dcretici bu de\u011fi\u015fkenli\u011fin etkilerini azaltmay\u0131 da tercih edebilir, onlar\u0131 \u015farab\u0131n karakterinin bir par\u00e7as\u0131 olarak korumay\u0131 da.<\/p>\n

Burada \u00f6nemli olan, iki tercihten birini mutlak do\u011fru ilan etmek de\u011fil. As\u0131l soru \u015fu: S\u00fcreklili\u011fi korumaya \u00e7al\u0131\u015f\u0131rken de\u011fi\u015fimin ta\u015f\u0131d\u0131\u011f\u0131 zenginlikten ne kadar vazge\u00e7iyoruz? Cleon hanedan\u0131 bize bu soruyu galaktik \u00f6l\u00e7ekte sorduruyor. \u015earap ise ayn\u0131 soruyu her hasatta, her \u015fi\u015fede yeniden kar\u015f\u0131m\u0131za \u00e7\u0131kar\u0131yor.<\/p>\n

Gelece\u011fe neyi ta\u015f\u0131yoruz?<\/h2>\n

\u0130nsanl\u0131k tarihine bakt\u0131\u011f\u0131m\u0131zda \u015farab\u0131n ola\u011fan\u00fcst\u00fc bir s\u00fcreklili\u011fe sahip oldu\u011funu g\u00f6r\u00fcyoruz. Anadolu’da binlerce y\u0131l \u00f6nce ya\u015fayan toplumlar\u0131n \u015farapla kurdu\u011fu ili\u015fkiyi arkeolojik buluntulardan, yaz\u0131l\u0131 belgelerden ve rit\u00fcel kaplar\u0131ndan \u00f6\u011freniyoruz. Hititlerin hukuk metinlerinde, antik d\u00fcnyan\u0131n dinsel t\u00f6renlerinde, Akdeniz’in ticaret a\u011flar\u0131nda \u015farab\u0131n izleri var. \u0130mparatorluklar y\u0131k\u0131ld\u0131. Ticaret yollar\u0131 de\u011fi\u015fti. Yeni dinler, yeni toplumlar, yeni \u00fcretim teknolojileri ortaya \u00e7\u0131kt\u0131. Ba\u011fc\u0131l\u0131k ve \u015farap k\u00fclt\u00fcr\u00fc ise b\u00fct\u00fcn bu d\u00f6n\u00fc\u015f\u00fcmlerden ge\u00e7erek g\u00fcn\u00fcm\u00fcze ula\u015ft\u0131.<\/p>\n

Elbette bug\u00fcn i\u00e7ti\u011fimiz \u015faraplarla binlerce y\u0131l \u00f6nce \u00fcretilenler ayn\u0131 de\u011fil. \u00dcretim y\u00f6ntemleri, \u00fcz\u00fcm \u00e7e\u015fitleri, saklama ko\u015fullar\u0131 ve t\u00fcketim al\u0131\u015fkanl\u0131klar\u0131 b\u00fcy\u00fck de\u011fi\u015fimler ge\u00e7irdi. Ama insan\u0131n \u015faraba y\u00fckledi\u011fi baz\u0131 anlamlar\u0131n ya\u015famaya devam etti\u011fini s\u00f6yleyebiliriz. Birlikte olma iste\u011fi, kutlama, teselli, hat\u0131rlama, zaman\u0131n ge\u00e7i\u015fini anlamland\u0131rma…<\/p>\n

Foundation, bu k\u00fclt\u00fcrel s\u00fcreklili\u011fi hayal edilemeyecek kadar uzak bir gelece\u011fe ta\u015f\u0131yor. \u0130ki y\u00fcz y\u0131ll\u0131k \u015fi\u015fesini a\u00e7mak isteyen Hober Mallow, ac\u0131ya kar\u015f\u0131 \u015farab\u0131 hat\u0131rlatan Yanna, Siwenna’da asmalar\u0131n aras\u0131nda ya\u015fayan Ducem Barr ve kadehiyle kar\u015f\u0131m\u0131za \u00e7\u0131kan Poly Verisof, birbirinden \u00e7ok farkl\u0131 hik\u00e2yelerin insanlar\u0131. Fakat hepsi bize tan\u0131d\u0131k geliyor. Belki de bilimkurgunun en ilgin\u00e7 taraf\u0131 bu. Gelece\u011fi anlat\u0131rken bug\u00fcn\u00fcn insan\u0131na bir ayna tutmas\u0131.<\/p>\n

Ayna m\u0131, pencere mi?<\/h2>\n

Cleon hanedan\u0131 ayn\u0131 kalman\u0131n pe\u015finde. Asimov’un psikotarihi ise de\u011fi\u015fimin b\u00fcy\u00fck \u00f6l\u00e7ekli hareketlerini anlamaya \u00e7al\u0131\u015f\u0131yor.<\/p>\n

\u015earap d\u00fcnyas\u0131nda da benzer bir kar\u015f\u0131tl\u0131kla kar\u015f\u0131la\u015f\u0131yoruz. Bir yanda tan\u0131d\u0131k lezzeti yeniden bulman\u0131n g\u00fcveni, di\u011fer yanda her yeni hasad\u0131n getirebilece\u011fi s\u00fcrprizler var. \u00d6nceki yaz\u0131m\u0131zda okurlar\u0131m\u0131za kadehlerinde bir ayna m\u0131, yoksa pencere mi g\u00f6rmek istediklerini sormu\u015ftuk.<\/p>\n

Foundation \u00fczerine d\u00fc\u015f\u00fcn\u00fcrken ayn\u0131 sorunun yaln\u0131zca \u015farapla ilgili olmad\u0131\u011f\u0131n\u0131 fark ettik. \u0130nsanl\u0131k gelece\u011fe do\u011fru ilerlerken ge\u00e7mi\u015finden neleri korumak, neleri de\u011fi\u015ftirmek istiyor? Ve belki de daha \u00f6nemlisi, korumak istedi\u011fimiz \u015feylerle de\u011fi\u015fmesine izin vermemiz gereken \u015feyleri birbirinden ay\u0131rabiliyor muyuz?<\/p>\n

Foundation’\u0131n binlerce y\u0131l sonras\u0131na ta\u015f\u0131d\u0131\u011f\u0131 \u015farap kadehleri, bize bu sorular\u0131 sorduruyor. Galaksiler de\u011fi\u015fiyor. \u0130mparatorluklar y\u0131k\u0131l\u0131yor. \u0130nsanl\u0131k yeni d\u00fcnyalar ke\u015ffediyor. Ama bir kadehin ba\u015f\u0131nda ge\u00e7mi\u015fi hat\u0131rlama, bug\u00fcn\u00fc payla\u015fma ve gelece\u011fi d\u00fc\u015f\u00fcnme ihtiyac\u0131 ya\u015famaya devam ediyor.<\/p>\n<\/div>\n

<\/p>","protected":false},"excerpt":{"rendered":"

Isaac Asimov’un Vak\u0131f serisinden uyarlanan Foundation dizisinde, binlerce y\u0131l sonras\u0131nda bile \u015farap insan hayat\u0131n\u0131n bir par\u00e7as\u0131. \u0130ki y\u00fcz y\u0131ll\u0131k bir \u015fi\u015feden galaktik imparatorlar\u0131n genetik kopyalar\u0131na uzanan hik\u00e2yede, \u015farab\u0131n k\u00fclt\u00fcrel s\u00fcreklili\u011fini ve insan\u0131n de\u011fi\u015fmeyen al\u0131\u015fkanl\u0131klar\u0131n\u0131 sorguluyoruz.<\/p>","protected":false},"author":2,"featured_media":995502,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_joinchat":[],"footnotes":""},"categories":[272],"tags":[],"class_list":["post-995499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sarap-tarihi"],"yoast_head":"\nFoundation Dizisi: \u015earap ve \u0130nsanl\u0131k K\u00fclt\u00fcr\u00fc<\/title>\n<meta name=\"description\" content=\"Foundation dizisinde, binlerce y\u0131l sonras\u0131nda bile \u015farap var. 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